How to reset Logic Control Surface Preferences.Logic, GarageBand 10 Control Surface Problems
For all other supported devices: An available peripheral port. Ideally, this should be a direct connection with the computer, rather than through a hub. When it discovers a new candidate it checks its “Bonjour name” to determine how to proceed. Part of this checking distinguishes between different types of devices, like whether the controller is running on an iPad, iPhone, or iPod touch, the type of controller, and the device’s name.
All this happens automatically behind the scenes and is normally not something you need concern yourself about. The device name though is critical because it is how Logic and GarageBand decides between two different devices that may be running the same control surface app.
For example if you have two iPads and run lpTouch on both, but at different times because you learned you cannot use more than one OSC controller at the same time , Logic distinguishes between the two iPad’s based on each device name. The device name is what you named your iPad, iPhone, or iPod touch when you first set it up. However continue reading as some nuances may lead to Logic or GarageBand thinking you have two different controllers when you are actually only using one.
Some users choose simple single word names but it’s also common to use something like “My iPad” or “Alice’s iPad”. Names such as these that feature multiple words separated by spaces, or contain certain punctuation marks, will appear to Logic as different devices when TouchOSC is used versus when lpTouch is running. If your device name is one of these types then each time you switch between TouchOSC and lpTouch, Logic will ask to register a “new” control surface.
If you do not use TouchOSC then this is of no concern. Keep your device name as it is and continue to use lpTouch without giving it another thought. But if you want to use TouchOSC’s Logic “template” sometimes, then you should consider changing to a new device name that does not cause Logic to believe it is two different devices.
The “safest” style name would be one that is a single word, and contains no unusual characters underscores and dashes are OK. Note that the ‘ apostrophe has been discarded. You might be thinking “So? Many users will never experience issues using lpTouch, gbXRemote, or other control surfaces. New users who have never used another control surface are very unlikely to encounter these issues. However it is possible if Logic somehow damaged the control surface preferences in the past and you never noticed it, until now.
The most common instances where this could become an issue are: You use Logic Remote sometimes, and lpTouch others. You have used TouchOSC in the past, and your iPad has a name that causes the “naming differences” mentioned previously. Since this is considered a different OSC controller because it does not run on the same iPad , Logic will attempt to have two controllers. You just upgraded your iPad to a new model and are using a different device name from the previous iPad.
You have two iPads that you use interchangeably with Logic. Your Logic set up is used by another user who has her own iPad. If your situation is similar then it is recommended that you follow the steps described in the next sections. The best strategy once you are aware of this problem, and have “fixed” your Logic control surface set up, is to avoid situations that can lead to it reoccurring.
This is actually easy if you follow some basic rules, and users with a single iPad who only run lpTouch will probably never even encounter such a situation.
Basically it all boils down to one principle: Never try to use another control surface along side lpTouch, and always make sure that Logic always has but a single control surface in its set up. Simply disconnecting or not using the other control surface is not enough! Logic must not show it in its control surface set up screen. For example, if you are currently using another controller, or have in the past, then you want to make sure that Logic’s control surface setup screen looks like the screen below before you run lpTouch for the first time.
It’s always best to start with a clean control surface set up before installing any OSC controller! By sectiond , March 19, in Logic Pro. I removed your link as it was infested with spam and advertisements Please do not use 3rd party sites to host your images, simply attach them to your thread by using the Full Editor and clicking “Upload Attachment” at the bottom of the post box.
Thank you! My new Logic Pro Book is out! My guess is you have two devices in there, one that you’re actually using, the other that you are not? Hmmmm not sure what’s going on.
Do you have any custom programming? Each group can consist of any number of physical devices. The only limiting factor is the number of available ports. You can independently determine the default behavior of each device in a group. For more information, see Device parameters on page The order of the icons from left to right defines the order in which tracks and parameters are arranged and displayed on the devices.
Mackie Control 1 controls channels 1 to 8, XT 1 controls channels 9 to 16, and XT 2 handles channels 17 to In the second row, the Mackie Control 2 and Mackie Control XT 3 form a second control surface group, controlling instruments on channels 1 to 8 and auxes on channels 9 to In the third row, the HUI forms a single unit control surface group. This allows you to access, edit, and automate different sections of the Logic Pro Mixer.
In the example above, the three units in the top row could be used to control audio and MIDI channel strips. In the second row, Mackie Control 2 could be used to control software instrument channel strips 1 to 8, and XT 3 could be used to control aux channel strips 1 to 8.
The HUI could be used to edit group definitions. The physical placement of units and the way you use them are completely flexible.
Note: In most situations, the placement of your control surface units in relation to each other should be the same onscreen as in the real world. Once you have created a control surface group, you can configure it in the Setup window. For more information, see Control Surface Group parameters overview on page You can configure your control surface setup to meet your needs by editing these parameters.
Important: Any changes to settings in the Setup window or from the device are saved in a preferences file, named com. This file is saved independently of the Logic Pro Preferences file. When the device is added, the automatic setup or scan procedure sets the appropriate MIDI input and output port settings for the device. Module: Shows the name of the control surface.
Model: Shows the model name of the control surface. Version: Shows the firmware version for some control surfaces. Color: Click to select the color that indicates which tracks are being controlled by this control surface.
Choose the color from the color picker that opens. In the Tracks window, the tracks controlled by this device are colored along the left edge of the track list when control surface bars are displayed. Special parameters Some control surfaces such as the Mackie Control allow you to define special parameters such as fader touch sensitivity. When a device that offers special parameters is connected, the special parameters area appears in the inspector.
For more information about supported special parameters, refer to the documentation for your device. These parameters apply to the group associated with the selected device and allow you to set up each group to meet your needs.
Many group parameters can also be changed directly from the control surface. Control Surface Group parameters are divided into several areas. Display parameters Flip Mode pop-up menu: Choose the functions for the faders and rotary encoders of the channel strips on the device. For control surfaces that contain a fader and a rotary encoder for each channel strip, Flip mode allows you to assign both controls to the same parameter, or to swap their assignments.
The choices are: Off: Standard mode, with the fader acting as a volume control. Duplicate: Assigns both the fader and encoder to the currently selected encoder parameter. Swap: Switches the fader and encoder assignments, making the fader a pan control and the encoder a channel volume control, for example.
Mute: Disables the fader. This is useful when recording in the same room as the control surface and you want to avoid the mechanical noise of the faders. Any existing automation still functions normally. Display Mode: Click to limit the device display to only the name or only the value of the current parameter.
This is helpful if there is insufficient space for the display of both the parameter name and value. Clock Display: If your control surface features a position display, this parameter determines how the playhead position is represented. Channel Strip View Mode pop-up menu: Choose one of the following views: Arrange: The channel strips on the device correspond to Logic Pro channel strips as they appear in the Mixer window.
The layout of channel strips matches the way tracks are laid out in the Tracks window. Channel strip 1 in the Mixer window is equivalent to channel 1 on the control surface, channel strip 2 in the Mixer is equivalent to channel 2, and so on. Instruments and channels used by multiple tracks are merged into one channel. This is the default mode of most devices, including the Mackie Control. All: The channel strips on the device correspond to Logic Pro channel strips of certain types, such as MIDI or aux channels, independent of their use in tracks.
Control surfaces that support this view generally allow you to define which channel types you want to display. Tracks: This view is similar to Arrange view, but individual channel strips are shown when multiple tracks address the same channel.
Typically, this is a software or MIDI instrument channel, with several tracks routed to it. You can determine which parameters are edited by the channel strip controllers on the control surface. Note: The View is a property of the control surface group, not a global setting. One group can display busses, while the other shows tracks, for example. Fader Bank for Tracks View: Drag vertically, or enter an integer value to offset which tracks are controlled by the channel strips of the device in Tracks view.
For example, if your device has eight channel strips, these might normally be assigned to audio channel strips 1 8 in Logic Pro. Fader Bank for All View: Drag vertically, or enter an integer value to offset which Logic Pro channel strips are controlled by the device in All view.
This parameter is only available when multiple channel strip types are displayed in the Mixer. When single channel strip types are displayed, there are separate fader bank parameters. These aren t displayed in the parameter list. Channel Strip Parameter pop-up menu: Choose which function is controlled by the channel strip encoders on the device.
The choices are: Volume: Encoders adjust channel volume. Pan: Encoders adjust channel panorama position. Format: Encoders adjust or select channel format. Input: Encoders adjust or select channel input source. Automation: Encoders adjust or select channel automation mode.
Group: Encoders adjust group membership of the track. Editing the parameter allows you to set either no group or a single group. Enabling membership of multiple groups is not possible. This can only be done directly in the Logic Pro Mixer.
Displayed Par. This is especially useful if you set the control surface to Arrange view, and your Tracks window shows multiple automation subtracks with Logic Pro parameters. Surround Parameter pop-up menu: Choose the surround parameter that the rotary encoders will control.
The choices are: Angle: Encoders adjust surround angle. Diversity: Encoders adjust surround diversity direction. Spread: Encoders adjust the Spread parameter of Stereo to Surround channel strips. X: Encoders adjust surround X position. Y: Encoders adjust surround Y position. Center: Encoders adjust the Center channel level. Note: The X and Y parameters are a different representation of the Angle and Diversity parameters, and thus are independent of them.
The X and Y parameters support the use of surround joysticks. This feature prevents sudden. Multiple Control s per Parameter pop-up menu: Choose the maximum number of encoders used.
The first encoder of each group controls the parameter shown in. The remaining encoders are inactive. Using more than one encoder per parameter.
This is not the case if only one encoder is used for. Control ler Assignments button: Click to open the Control ler Assignments window. Expert view is available only when you select the.
Setup button: Click to open the Control Surfaces Setup window. For control surfaces that feature programmable displays with more than six characters per line or. Control surface help tags. While editing show long names for checkboxes: Turn on the two checkboxes in this section to.
This may. Turn off to limit the long name display to show only the most recently. If you can work without value units, the display. The modal dialog text appears in the upper row of the LCD. If the dialog text does not fit in. You can scroll the dialog text manually with. Once you start scrolling the text manually, automatic.
If your control surface has a Cancel or an Exit button, pressing it triggers the button labeled. All buttons in the modal dialog push buttons, including Enter, Default, and Cancel, as well as. Pressing a control surface button below the display triggers the appropriate function in the.
Once you press an Enter or a Cancel button on the control surface or click it. You may find that using control surfaces changes the way you use Logic Pro. Slight changes to. The following hints. Set up screensets 1—7 as your most frequently used screensets. You can access these directly. On a Mackie Control , for example, you can access them with. Assign a full-screen Tracks window, with track automation view set to On for all tracks , as.
Markers are also useful for creating or selecting cycle areas and a number of other tasks, such. If you tend to follow a particular song structure or like to work with a certain number of bars. The table shows control surfaces directly supported by Logic Pro.
Support ed control surfaces communicate with Logic Pro via special plug-in files that are installed. To view the bundle contents, Control -click the Logic Pro. Logic Pro also. When new control surface plug-ins are released independently of a Logic Pro update or. Most control surfaces depend on Logic Pro for their functionality and cannot be operated if. Logic Pro is not running. They do not provide any additional functionality that is not available in.
Logic Pro itself. One advantage of this approach is that as new functions are added to Logic Pro ,. Most control surface units do include a form of software called firmware. Firmware is similar to.
New behaviors, such as improved control of motorized faders and changes to the display, can be. Memory chip. The steps required to perform a firmware update are.
Read all supplied documentation. Assigning controllers to Logic Pro parameters lets you use faders, knobs, switches, and other. These can be used directly or in conjunction. Most supported control surfaces include preset controller assignments that become active when.
You can change existing assignments for supported control. For example,. You can reassign these control surface buttons to other Logic commands—either.
You can assign controllers to parameters in the Logic Pro Control ler Assignments window, using. The Control ler Assignments window has two views: a compact Easy view,. You do not need to explicitly save controller assignments or related preferences and settings. Easy view allows you to see and assign controllers to channel strip and plug-in parameters and. The Easy view of the Control ler Assignments window contains the following fields and buttons:.
Only one set of assignment parameters is visible at a time in Easy view. You use the Learn process. This memorizes the controller assignment, and you can click the Learn Mode button to. Mode button remains active, so you can still move a controller to send a MIDI message. In this. Logic Pro includes a shortcut that makes it easy to assign a series of controllers to a series of.
For example, you can use this shortcut to assign a series of faders to volume;. The number of controllers between the first and last in the series. In the example, the. Alternatively, the. Consult the. Select the assignment you want to remove in the Control ler Assignments Easy View window,.
You can use Expert view to make advanced controller assignments. These include Logic Pro. The Learn process opens the Control ler Assignments window in Easy view, which shows the. To make assignments other than channel strip or.
The Expert view of the Control ler Assignments window contains the following:. Zone list: Displays the available zones for the device. Select a zone. Mode list: Displays the modes for the currently selected zone. You can also double-click a mode.
The left column displays the. The parameters of the selected assignment appear in the fields to the right. Note: You can select multiple assignments in the list, but only the parameters of the first. All other operations.
Control ler Assignment Parameter area: All aspects of the selected controller assignment. Feedback to the display of control surfaces can also be.
This section outlines each parameter shown in the fields on the right side of the Control ler. Control Name field: Displays the name of the controller for supported devices. For unsupported. See Control Name and Label fields on page Label field: Displays characters that represent the label for the assignment on the control. You can view this much like a scribble strip on a mixer. See Control Name and. Flip Group field: Enter an integer to define a flip group for the assignment.
See Flip Group and. Note: Depending on the chosen class, different fields and pop-up menus for that class appear. You can use the Learn process to assign controllers in the Control ler Assignments window. Expert view, just as you would in Easy view. You can also assign controllers to classes of Logic Pro.
The procedure for reassigning an active controller an assigned controller in the active mode is. Note: A detailed explanation of classes and other assignment parameters can be found in Class. Use the Learn process to assign an active controller one with an assignment in the active mode ,. Support ed control surfaces generally have empty user pages available, allowing for new encoder. You would select a particular user page mode page 3, for example , then learn an.
You can define a group of controllers as a zone in Expert view and switch all controls in a zone. Using a Mackie Control , for example, you can define the eight rotary. Each set of zone parameters is called a mode. A zone can contain one or more modes, but only. A zone can also contain assignments that are always.
In both modal situations, the display, transport, and Save or Undo functions would. Assignments of inactive modes are ignored. You can switch the active.
Zones and modes can be defined across multiple control surfaces to support the use of control. If you want to add controllers to the zone, see Assign and delete controllers in Expert view on. Control Name field: Shows the name of the control. For supported devices, the control surface. Label field: Shows characters that represent the label for the assignment that appears on the.
The first character is always , followed by two additional characters. Second Character: This character is used to define a type for the event label. For example:. Third Character: This character is used to define a value for the chosen event label type, such. Flip Group Field: Enter the same integer value for two assignments to define a counterpart for. This limits a modeless assignment to. For example, faders normally control volume.
To create a mode where faders. Choose the class of assignment the type of destination parameter controlled from the pop-up. For example, Mackie Control assignment buttons can be used to. Rotate: Use to step through all available modes with a single button press.
For example, if. Playhead: Control s the position of the playhead; feedback is sent in the format chosen in the. Scrub Status: Sets the scrubbing status for the Playhead parameter beats, scrubbing. Automation of all tracks: Switches the automation state of all tracks between the following.
This is. Shuttle Speed: Sets the forward and backward shuttle speed. Use this for controllers that send. Channel Strip: Choose to use an assignment to set a channel strip parameter. A Channel Strip. Track Lock parameter is active. In this case, the selected track is the one that was chosen. Thus, the eighth channel strip in the All view is addressed Fader Bank and.
Bus: A Bus channel. The numerical value No. Master: The Master channel strip; if it does not exist in the project, the first output channel. This is not. For further information, see. Control Surface Group: Choose to set a property for the control surface group that the.
This pop-up menu allows you to choose a Control Surface Group. Filter for All View: Choose to show eight additional checkboxes for the eight channel strip.
This allows you to switch between several channel strip types, while retaining the. This makes it easy for you to create default assignments for a new control surface. These new. You can then open the Control ler.
Logic pro x control surface preferences free
Jan 10, · Re: Logic Pro X Control Surface settings? Here’s a free bump for the thread. After reading this on a few different forums I’m on the fence about buying a Keylab Looks great as long as it plays nice with my DAW (and Logic is a huge platform, it’s not like they are a small obscure startup). Control playback with the transport buttons. Use transport shortcut menus. Use transport key commands. Customize the control bar. Change the LCD display mode in Logic Pro. Monitor and reset MIDI events. Use the cycle area. Use the Chase Events function. Use Apple Remote to control Logic Pro. Choose Logic Pro > Preferences > Control Surfaces > Setup to open the Control Surfaces Setup window. In the Setup window, choose New > Install, and then select the device from the list. You can select more than one model by Command-clicking multiple entries in the list.
Logic pro x control surface preferences free
Midi Nation is supported by our great readers. We might get a commission if you buy gear through a link on this page [at no additional cost to you]. Being able to access your nearly all your DAW controls in a single tap is a massive game changer. The control and intuitiveness a dedicated controller adds to your studio is unparalleled.
But buying the best control surface for Logic Pro X isn’t easy. So to help you out, we put together this detailed guide. A control surface isn’t a must-have for a bedroom producer, but it’s a powerful tool to have when you’re ready to upgrade to a more serious setup. It brings all essential controls to your fingertips, freeing you up rree the awkwardness of multiple screens.
Hardware controls not only give you finer control over your DAW, but also give you greater creative freedom and flexibility.
You might not find the best use of a control surface if you’re the only one in your home studio. But the moment you’re recording others — a band, other artists — you’ll find that a dedicated controller is almost a necessity. While most control surfaces work well with Logic Pro logic pro x control surface preferences free it is one of the most popular DAWs in the world after all — there are some that perform better than others. In this roundup of the best control surfaces for Logic Pro X, logic pro x control surface preferences free look at download amd for windows 10 of the top options you can buy right now.
As with other guides, we’ve divided this into two parts. In Part II, I’ll cover the essentials you should consider when buying a control surface, as well as how to get the most out of your current setup.
His first experience with electronic music production dates back to Cubase 3. He lives in San Diego and freelances as a producer and part-time DJ.
In the first http://replace.me/11544.txt of this guide, we’ll do logic pro x control surface preferences free deep dive into the top Logic Pro X control surfaces you can buy right now. To be more specific, we’ll look at the top controllers based on different requirements live performance, home studio, etc. Do keep in mind that logic pro x control surface preferences free the rest of this website, these selections are aimed squarely at serious home producers who want to upgrade their skills and equipment.
With that caveat out of the way, let’s start by looking at our top choice for the best control surface for Logic Pro X in PreSonus, which makes some of my favorite amateur-targeted studio monitors, also makes a fantastically flexible control surface, the FaderPort. Affordably surfafe yet feature-rich, this control surface gives you immediate access to key DAW features at your fingertips. A large volume control knob and a master fader let you control key parameters. And a small size means that it takes up little space on your desk.
Great compatibility and robust build quality logic pro x control surface preferences free it our best control surface for Logic Pro X for producers on a budget. It doesn’t clutter the unit with a gazillion buttons and screens. It is specifically designed to be easy to use — and gets top marks for that. At surrface heart of the FaderPort is an innovative and highly satisfying degree encoder. Anything you need to move and select and draw and drag will be handled by this encoder.
So it’s a good thing that the build quality on it is fantastic — it can logic pro x control surface preferences free a beating, and then some more.
Complementing the encoder is a single mechanized fader. The fader is also touch surdace — a feature often found missing in more expensive Logic Pro X control surface.
If you’ve ever felt dissatisfied by your fades and automations, you’ll love using this fader — external hardware make it much easier to get fine control over your automations. Moving a mouse around feels hardly as intuitive as dragging a touch sensitive fader — and this one works wonderfully well.
The rest of the controls are designed around a single goal: to complement your keyboard-mouse, not to replace them. I appreciate this approach, especially since most producers are already used to the keyboard-mouse combo.
Far too many control surfaces try to do everything and the kitchen sink, forcing producers to retrain their habits. This unit recognizes that that is neither feasible prwferences desirable. Build quality is solid throughout. I particularly like the dimensions. It’s small enough to take minimal space on your desk, yet not so small as to make the buttons and faders unusable. I prefer this smaller footprint over some logic pro x control surface preferences free the larger control surfaces that take up too much desk space.
What’s left to consider is compatibility. Which is expected since they’re from the same logic pro x control surface preferences free. If you use Studio One, buying this control surface is an absolute no-brainer. That said, you’ll find that the PreSonus FaderPort is also one of the best control surfaces for Logic Pro X, with tight integration out confrol the box.
The buttons are a little hard to press. There are also reports of compatibility issues with the some versions of macOS Catalina. Recommended for: A powerful, capable, and most importantly, affordable control surface for home studios.
Excellent compatibility with most DAWs, a touch-sensitive motorized fader, and an excellent encoder make it one of the best control surface for Logic Pro X in Right out of the box, the sleek and compact design of the device is по этой ссылке to behold. The top panel comes in black matte while the rear cotnrol an orange hue. The slim design makes it easy to move about with this surface control; it fits in a backpack easily and will be great for DJs that move around.
On the top prefersnces of the device, there is a Send All button. South of this is the Solo button. Below conrol Mute button are the Record-Arm buttons. As per Akai standard, this control surface is of solid build.
It feels strong and reliable to touch. The knobs are small but not so small that they’re hard to use. The entire unit itself is small enough to fit comfortably on a desk.
It’s also light enough that you can drop it into your gig bag and carry it around. The included software editor is powerful and intuitive enough that you can also customize the integration as per your llgic. Although it does not have as many features as some other surface controllers on the list, it offers great value for the price. It lacks Device control, which I found to be a surprising decision from Akai. The knobs might also feel a little small if you have large hands.
Some users report issues with the lights not lighting up — even when the rest of the unit works fine. A small quibble has to do with the quality of Akai’s gel buttons. These gel buttons can be found on all of Akai’s lower-tier devices, from MIDI controllers to control surfaces, and it’s never a good experience using them.
They feel sticky and not tactile enough. Akai, if you’re reading this, please find better gel buttons on your devices! It is affordably priced and works great out of the box. Perhaps it’s not the most full-featured controller around, but if you’re looking for the best control surface for Logic Pro X on a budget, you’ll love this unit. With regards to their design, I found the Behringer X Touch to be a rather thick and clunky control surface. It is not as slim as many of the control surfaces I have tested.
I’d even say that when placed on a desktop, you cobtrol have to raise your chair height an inch or two if you are sitting while operating it. Coontrol height and thickness make it a tad uncomfortable reaching for the faders and make it hard to see the display properly while sitting. Despite the less than ideal thickness, this control device performs rather superbly, especially for serious logic pro x control surface preferences free.
Aside from the physical dimensions, the device has connectivity options galore. While testing, I connected the device to Logic. It offers a really stunning functionality level with all the faders, knobs and buttons. The device supports the MCU protocol quite extensively.
The transport buttons here feel really firm and sturdy and are very bubble birds free download for pc. For example, they have lights to show their current status. The jog wheel also enjoys this design feature. That said, it is not as firm as the transport buttons and feels rather cheap and tacky. The large, chunky size, however, makes up for this lapse.
One of my favorite features — something few control surfaces in this budget offer — is the small LCD scribble strips ccontrol the top of each channel fader. This instantly tells you which conrol or parameter you’re controlling.
The standout feature for me, however, has to be the motorized faders. It’s one prererences the rare control surfaces on the market with a whole array — nine — of motorized faders. As mentioned earlier, the interaction with Logic is one of the best features of this device. It has full support with Logic as well as other DAWs. Despite the integration with Mac OS, the lack of a Mac editor is jarring. The build quality is a little disappointing considering the price.
The motors on the faders prferences tacky and feels liable to break. The lack of customization options in the editor is also a letdown. Recommended for: Gigging musicians that have a home studio will find the functionality of this device quite ideal. It’s also great if you want to move from a small home setup to something that’s more professional.